I was in Berlin last weekend to visit a good friend of mine. We talked a lot of and did some sightseeing and shopping. But we also visited a photo exhibition in the C/O Berlin on Saturday. It was a huge retrospective about Don McCullins work from 1958 – 2008. But their was also a second one.
Jonas Bendiksen showed us the slums of the world in his exhibition “The places we live”. Both exhibitions are just incredible and necessary to see. Everyone who´s interested in our world and got the chance to travel to Berlin within the next weeks have to go there. But notice… you definitely need some time for all the pictures especially with these hard topics. I was finished with the Don McCullin exhibition after almost 1 1/2 hours and it was hard to clear my mind of all these cruel pictures and take a step to the next one. My mind was full of thoughts about the world and McCullins itself because I tried to imagine the situations he had been into. So I took a short look at the other exhibition.
These pictures here are not presentable for the whole exhibition. I just want to give you a small survey about it. You definitely need to see all the pictures by your own.
After 2 hours in the C/O Berlin we were very hungry and so we decided to take a meal in an Indian restaurant. I was totally fucked up at the end of this day.

This was the view out of her window.

There was a snowman demonstration against atomic energy near the the “Alexanderplatz”.

“I always believed that I don´t own my photography rather that it owns me. It gave me a life, an extraordinary life which could never be repeated. I feel as if the gift of seeing what is really going on in the world is mine only so long as I put it to proper use.”
“My responsibility towards mankind is to show how the war I am photographying is ugly and uncomprising. Young people, over here, have grown up with an Hollywood´s vision of the war: frivolous and glamorous, filled with handsome and muscular guys, nicely tanned.
That´s not what war is about.”
“Photography is like an unexploded mine, you must go around it, you must not thread on it, you must respect it – otherwise it will blow your legs off.”
“Stealing pictures of these people with a long lens was not my style. I wanted to be close to them, to feel their plight, and to convey the emotion of contact with them.
I wanted their trust and to become their voice.”
“It is difficult to associate the word "dignity" with conditions such as I photograph, yet dignity is what I try to show. I find it most in the people who suffer the most, they seem to marshal the energy of dignity, because they will not surrender.”
“I did´t want to be a war photographer in the first place, I wanted to show landscapes and peace [...] which I find much harder than photographing war.
It does´t take much eyesight to photography someone dying in front of you.”
“If the time is not right, I can be patient, stay in that place for hours, willing things to come.
The other day I to photograph the sea, in the West of England.
I sat for two hours, looking into the water, willing the clouds to go where I wanted them,
until they did just that, and I took one picture and I went home.”
“When I got to Africa, I found it´s not a story just about Aids. It´s a story about poverty.
In a way, poverty is war. It´s a disgrace; it´s abominable.
I found people sleeping in darkened rooms, lying on the floor, not even in comfortable beds the way we would expect to be if we were ill in a hospital. I found people who had no medication whatsoever, no food, nothing, living in intolerable conditions. It´s just unacceptable in terms of humanity.”
It was kind of an interactive exhibition because you have to go inside some boxes where you stand in front of 4 huge screens. You hear someone speaking about his life, the place he lives at and about the common situation in his country. Everything was illuminated in a dark way outside the boxes so you get a feeling for the conditions in a slum.
fucked up at the end of the day but i really enjoyed everything.
cheers // Martin
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